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THURSDAY, 17 SEPTEMBER
(Lecture theatre 3 – 4th floor FLUC)
09h00-09h30 | Opening session
09h30-10h30 | Keynote Speaker
Bernd Möbius (Saarland University, Germany), Werner Meyer-Eppler: the scientist who introduced information theory in German speech communication research – or did he?
10h30-11h00 | Coffee break
11h00-12h30 | Panel 1
- Rüdiger Hoffmann (Technische Universität Dresden, Germany), From the “Monatsschrift” Via Vox to the Recent Stuf – The History of a Chain of Journals in 130 volumes
- László Csárdás & Mária Gósy (Makovecz Campus Foundation, Hungary), An early Hungarian book on ‘applied phonetics’ from 1808
- Péter Libárdi (National University of Public Service, Hungary), Music of Words – Moments in the History of Hungarian Sound Stylistics
12h30-14h00 | Lunch break
14h00-15h30 | Panel 2
- Pavel Šturm (Charles University, Czech Republic), Annie Rialland & Cécile Fougeron (CNRS & Sorbonne Nouvelle, France), Archiving speech: Hubert Pernot’s 1929 Czechoslovak expedition
- Carla Malaca & Quintino Lopes (University of Évora, Portugal), Fieldwork at the Coimbra Phonetics Laboratory: the regional dialects of Beja (1953)
- Jürgen Trouvain (Saarland University, Germany), Historical audio recordings in the UNESCO Memory of the World Register
15h30-16h00 | Coffee break
16h00-17h00 | Panel 3
- Michael Ashby (UCL Chandler House), Northcote Whitridge Thomas on tone in Igbo (1914): a replication from the original field recordings
- Alexandra Markó (SSNS Institute for Expert Services & MTA–ELTE NYTK Lendület “Momentum” Neurophonetics Research Group, Hungary), Andrea Deme (ELTE Eötvös Loránd University & MTA–ELTE NYTK Lendület “Momentum” Neurophonetics Research Group, Hungary) & Kornélia Juhász (ELTE Research Centre for Linguistics & MTA–ELTE NYTK Lendület “Momentum” Neurophonetics Research Group, Hungary), Analysis of Hungarian vowel formants – Lessons from 60 Years of research
17h30 | Guided tour to the exhibition Armando de Lacerda Wing: Laboratory of Experimental Phonetics of Coimbra
20h00 | Workshop dinner
FRIDAY, 18 SEPTEMBER
(Lecture theatre 3 – 4th floor FLUC)
09h30-10h30 | Keynote Speaker
Ana Simões (University of Lisbon, Portugal), Experimental Phonetics as Networked Knowledge. Reframing Armando de Lacerda’s Laboratory of Coimbra in a Global History of Science
10h30-11h00 | Coffee break
11h00-12h30 | Panel 4
- Claire Pillot-Loiseau, Annie Rialland (CNRS & Sorbonne-Nouvelle, France), Pierre-Yves Testenoire (CNRS, Sorbonne-Nouvelle & Paris Cité University, France), Christelle Dodane (Sorbonne-Nouvelle, France), Rémy Guérinel & Cécile Fougeron (CNRS & Sorbonne-Nouvelle, France), Suzanne Borel-Maisonny, Jeanne Varney Pleasants, Marguerite Durand: three French women in early experimental phonetics
- Didier Demolin (Rhodes University, South Africa; CNRS & Sorbonne-Nouvelle, France), Ian Siebörger & Wm. G. Bennett (Rhodes University, South Africa), Clement Doke contribution to the development of experimental phonetics in South Africa
- Ângela Salgueiro (University of Évora, Portugal), Experimental phonetics, science diplomacy, and the press: the international missions of Armando de Lacerda in Sweden and Brazil in the mid-1950s
12h30-14h00 | Lunch break
14h00-15h30 | Panel 5
- Angelika Braun (University of Trier, Germany), Forensic Voice Comparison: the early days
- Béatrice Vaxelaire, Lisa Matias Gaspar, Emma Tasset, Dalia Redjil, Yirméyan Rémi Belem, Anastasia Kananovich, Noé Xiu (University of Strasbourg, France), Fabrice Hirsch (Université de Montpellier Paul-Valéry & CNRS) & Rudolph Sock (University of Strasbourg, France & Pavol Jozef Šafárik University, Slovakia), The History of Clinical Phonetics in Strasbourg. From Péla Simon to Nowadays
- Cathy Lucas (University College London, UK), Setting standards: gesture, metrology and music in early voice simulation
15h30-16h00 | Coffee break
16h00-17h00 | Panel 6
- Mario Pedrazuela Fuentes (Rey Juan Carlos University, Spain), A shared philological project: Hispano-Portuguese collaboration in the making of the Linguistic Atlas of the Iberian Peninsula
- Ulrike Kiessling (University of Basel, Switzerland), Voices of War. From soldiers’ war-damaged voices to phonographic “living case histories